When they step out, hand-in hand, into the daylight, they look just as beautiful as they ever did. Overnight, in the dark, Louis and Addie murmur their secrets and tend their wounds. But it also provides them with fresh challenges allows them ample room to stretch and breathe and find their range. There’s something moving about the sight of these two 60s poster-children grown old and careworn, and Batra’s film no doubt is trading on that. They keep the film honest when it turns more conventional and pitches towards soap opera. Both give performances of such quiet conviction that it scarcely looks like acting at all. It is a graceful, easygoing September song of a film, complete with slide guitar and autumn leaves the perfect late showcase for Redford and Fonda, more than 50 years after they appeared together in The Chase. body and my soul before IWith her test, it took over one hundred questions to. And then all of a sudden they’re not news anymore, just another elderly couple pottering down Main Street.īatra made his reputation with The Lunchbox, a charming Mumbai-set romance, and Our Souls at Night shares the same connective tissue. Her Soul to Take is the first book in the Souls trilogy by Harley Laroux. His film is at its most affecting during these hushed exchanges, in the weeks before Louis and Addie take the relationship out of doors, thrilling the curtain-twitchers and rubberneckers and the gossipy old crocks down at Frederick’s cafe. Batra cleverly frames these encounters as an intimate dialogue, like My Night With Maude or a co-counselling session in which the participants are candid and direct in a way they could never otherwise be. He tells her of his extramarital affair and of his failed ambition to become a painter and she in turn tells him about her infant daughter, who was killed on the road. What is Isabelle's relationship with marshes?ġ1.“Talk to me,” she says, once they are sitting in bed, and this is just what Louis does. The marsh appears several times throughout All the Dangerous Things, Isabelle is drawn there both as a child and as an adult. What are the "dangerous things" in the story?ġ0. The novel is called All the Dangerous Things. What was the biggest twist for you as the reader? Did you see any of the twists coming?ĩ. The author is known for writing twists in her books, and All the Dangerous Things is no exception. Why do you think the author chose to make Isabelle an unreliable narrator? How would the story have been different if Isabelle was able to trust in herself?Ĩ. How did you think of motherhood before reading All the Dangerous Things? How, if at all, did your view change after finishing the book?ħ. The author presents motherhood in a variety of different ways throughout the novel. But it's impossible to look our past straight in the eye, to see things with perfect clarity, so we have to rely on the memories." What memories of Isabelle's were distorted? Have you had similar experiences with memories of your own past?Ħ. On page 247, Isabelle says, "I like to think of our memories like a mirror: reflecting images back to us, something familiar, but at the same time, backward. It's realizing that you're not really alone at all." What keeps Isabelle company in the dark? How, if at all, does this change during the day?ĥ. On page 84, it says, "I understand that there's something even more unsettling than being alone in the dark. The idea of day versus night is a concept the author uses throughout All the Dangerous Things. Something important." Do you see ghosts in the same way Isabelle does?Ĥ. A peaceful prodding that there was something that needed to be remembered. I never thought of it as being haunted, exactly. On page 51, Isabelle says about ghosts, "All those little experiences you could never put your finger on-a tickle on the back of your neck, a nagging feeling that you were forgetting something, that creeping sense of deja vu that flared up when you visited someplace new- were other souls trying to send you a message. How does the author use sleep to build the tension until it's impossible to ignore?ģ. Noisier, harder to ignore." Sleep, or the lack thereof, is a recurring theme in All the Dangerous Things. "One thing I was starting to notice about being awake all the time was the way in which seemingly little things grew bigger by the day. On page 16, Isabelle thinks about being awake more often than not. The deep, dark, shadowy ones that lurk just beneath the skin, traveling through their veins and spreading like a sickness." What are some of these secrets the characters keep? Do you think this is true of all of us, or just the characters in a crime novel?Ģ. ![]() But some of them have the real ones, the messy ones. Early in the book, it says, "And some of these people have secrets.
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